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PicksInSix Review: TITANIQUE-Porchlight Music Theatre|Broadway in Chicago

 
 

Power-Packed Parody ‘Titanique’ Making Waves!
PicksInSix® Review | Guest Contributor | Ronald Keaton

There is quite a unique piece of musical theatre that officially opened Wednesday night at the Broadway Playhouse at Water Tower Place. It’s the Chicago premiere of “Titanique”—produced by Porchlight Music Theatre and presented in association with Broadway in Chicago—a well-devised, power-packed parody of the 1997 film “Titanic” which remains one of the highest-grossing movies in history. “Titanique” takes a boatload of liberties in its campy take on the film it lovingly emulates and pretty much asks the audience one basic question: Could the hero of the film actually be Céline Dion?

Remember that Ms. Dion’s great hit was the theme to the film “My Heart Will Go On.” It was a gigantic single that became her ultimate accomplishment and generated a recurring theme in the James Horner film score. Well, the creators of “Titanique”—Marla Mindelle, Constantine Rousouli and director Tye Blue (a particularly experienced hand at creating satirical productions of famous shows)—went about the task of doing Titanic a treatment of its own.  The codicil was that Ms. Dion’s influence on the success of the film was so important that they decided to make her the focus of the show. So, we are asked to come along the voyage with Ms. Dion as she appears at a kind of Titanic ‘museum’ to share what she says really happened.

The piece is almost maniacally offered at a laugh-a-minute pace, not unlike the recent satire “The Play That Goes Wrong.” The topical and pop culture references all fly by in a hurry, only to be followed by another in its wake that can easily be recognized. Since the cast knows it’s coming to us in such a manner, it actually helps that they will figuratively or verbally ‘wink’ at the punchline, precisely because of the breathless delivery. This approach is maintained all through the production, especially in musical sequences that rapidly push the plot—a smart invention for the writers.

And yes, hardly a moment in the film is spared the “Titanique” treatment. Jack and Rose are put through the mill in taking our imaginations about their blossoming love and showing us in campy, imaginative ways what might happen during the time of the voyage. Cal, Rose’s fiancé, purchased the legendary Heart of the Ocean diamond necklace from Jared’s, he shouts more than once. Oh, and another convention knocked down here is that several of the characters in the play are the actors who played those characters in the film. So, for instance, Molly Brown was played by Kathy Bates. Here in the show, Bates is the actual character, not Brown. Same with the Captain as portrayed by Victor Garber. Garber is the character.  It’s a really fun twist to watch.

The talent here is at a high level, indeed. The Céline Dion character is a combination mother hen/narcissistic dove with Clare Kennedy McLaughlin in real command. Maya Rowe demands our attention in her powerful Rose; it seems so easy for her to plant her feet and make us watch her. Adam Fane is a joy as Jack, right down to the bashful looks and references that made Leonardo DiCaprio a star. As Victor Garber, the versatile Jackson Evans looks every bit the part of the Captain. The great Rob Lindley steals everything he’s in as Ruth, Rose’s mother. Abby C. Smith offers Molly Brown as an almost Southern family matriarch—elegant and forceful. A wonderful surprise was Eric Lewis as The Seaman and The Iceberg… yes, The Iceberg as Tina Turner. The always dynamic Adrian Aguilar plays Cal as both arrogant and touching, a tough act in this company.

Musically, the four players in the band led by Dr. Michael McBride make a great deal of hay with what they’re asked to do. Lots of rock anthem-type songs and derivative pieces from things that we all know from popular music that choreographer Kasey Alfonso takes full advantage of. They even played “Beauty And The Beast,” another Celine Dion hit. It all floats through for the audience at a racehorse’s clip. And the audience learns in a hurry to hang on tight. It’s a lot of fun and has already been extended through July 13.

GUEST CONTRIBUTOR | RONALD KEATON received an Equity Jeff Award for the performance of his one-man show CHURCHILL. www.solochicagotheatre.com  Coming soon, his new solo play “Echo Holler.” www.echoholler.com

PHOTO|Michael Brosilow

Porchlight Music Theatre
in association with
Broadway in Chicago
present
Chicago Premiere
TITANIQUE
Broadway Playhouse
Water Tower Place
EXTENDED through July 13, 2025


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PicksInSix Review: No Such Thing - Rivendell Theatre Ensemble

 
 

‘No Such Thing’ Is Anything But.
PicksInSix® Review | Guest Contributor | Ronald Keaton

If ever in Chicago there was a little engine that could, Artistic Director Tara Mallen’s determined Rivendell Theatre Ensemble seems to often be able to do so. RTE celebrates its 30th Anniversary Season with an intriguing, provocative world premiere of “No Such Thing” by RTE Ensemble Member Lisa Dillman, and it runs now through April 27.

Directed in intimate, meaningful strokes by Malkia Stampley, “No Such Thing” shares the tale of Ren (a cast-the-net-wide, fascinating performance by Susan Gosdick), a screenwriter in the midst of mining her life for interesting and substantial stories that can jumpstart her career. Experiencing the reigniting of a career in middle age is something many artists can understand and aspire to. And one of the things that Ren considers in doing so is in adding a layer of inspiring intimacy to her life in the form of a tightly knit affair with someone she meets in a dating app or through personals ads.

The construct here in her exchange with Fallon (fine, articulate work by Josh Odor), an accomplished man of letters, is quite the challenge. They both set rules in their affair: No names, for one, except for what they create within the affair itself. No stories about current life or work. Nothing in the hotel room but lust and opinion and stories they share that may or may not be true. Both Ren and Fallon jump in with both feet, and for a while, the affair is an agreeable, enjoyable journey for both. For a while.

Because meanwhile, back at home, Ren’s husband Ted (the always high-quality performer Matt DeCaro) is a faithful servant of sorts – going to work, coming home, sharing the day, reading the paper, enjoying his bourbon or whatever – all the while unknowingly contributing to the eventual downfall of the marriage. Both Ren and Ted are locked into this pattern. Hence, the affair. There is a daughter Olivia (a bright, knowing portrayal by Jessica Ervin), whose teenaged problems explode over time into personal trauma. Therapy, medication, even a dabble in legal problems occupy the family’s attention in an overly invasive way.

Ren has several meetings with her friend and literary agent Marilyn (the marvelous Cheryl Hamada is a real comic coin for Ren), who acts as the voice over Ren’s shoulder and eventually has to share the fact that her writing has dramatically suffered during all the family upheaval, and that whatever happens, Ren needs to buckle down even more than she is. A tall order, indeed, given the emotional and intellectual walls that need to be surmounted.

The play envelops what seems like a couple of years and there are real surprises in the story. This writer will leave any assessment of the plot to individual minds. Don’t want to give anything away inappropriately. The scenic design of Lauren Nichols offers a quite clever series of sliding panels and walls to indicate different locations; they successfully overcome the necessary limits of Rivendell’s small performance space. But its intimacy is the very thing that helps the audience see this piece for what it is – an examination into the scourges of relevance in life, and how they affect the characters going forward. “No Such Thing” is anything but. It’s a purposeful and powerful treatise that asks its audience to consider such realities as they arise in life, as well as one person’s way in dealing with them. 

GUEST CONTRIBUTOR | RONALD KEATON received an Equity Jeff Award for the performance of his one-man show CHURCHILL. www.solochicagotheatre.com  Coming soon, his new solo play “Echo Holler.” www.echoholler.com

PHOTO | Michael Brosilow

WORLD PREMIERE
Rivendell Theatre Ensemble
presents
NO SUCH THING
5779 N. Ridge Avenue
through April 27, 2025


WEBSITE

TICKETS
773.334.7728


For more reviews, visit: Theatre In Chicago

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