PicksInSix Review: It's A Wonderful Life: Live In Chicago! - American Blues Theater
Delightful Holiday Classic at American Blues!
PicksInSix® Review | Guest Contributor | Ronald Keaton
Feeling like this is an especially long year? Full of physical challenges and emotional obstacles? Need a nostalgic, heartwarming experience and a hot cup of cocoa to get you in the spirit of the season? One thing we’ve always done as a people, I think, to address times like these is to observe our established mores during the holidays. And what better way to capture that special feeling than to spend a few hours at the new and elegant American Blues Theater performance space on North Lincoln Ave with the superb cast and crew of “It’s A Wonderful Life: Live in Chicago!” Led by their stalwart artistic director Gwendolyn Whiteside, ABT has shared this delightful Chicago holiday tradition—a familiar, yet energetic presentation of a loving story we all know and appreciate—for so many years that it has become a beloved and highly anticipated outing for the whole family.
The show takes the shape of a radio play on Chicago station WABT, circa 1944, complete with a foley artist in charge of live sound effects and noises and all else you can imagine. It falls to the responsible hands of J.G. Smith and I wish there was a way to bring her more focus. When you watch her, it’s apparent that there is an absolute pleasure for this actor to be a kind of soundtrack to the play. Her face lights up with every scene, every moment. What a joy to watch an actor who knows how to impact a scene through simply listening.
The cast sinks its teeth into the tale with exuberance. Brandon Dahlquist, who has been ABT’s George Bailey for eight years now, has become a font of articulate emotion in his portrayal of a man at the end of his rope, wanting only to see even a little of his dreams in front of him. Mr. Dahlquist is strong and humble, as you might expect the character to be, and the simplicity of his prayer to God at the bar shows us his best work. Then there’s the ABT ensemble itself at work. Audrey Billings is a tender, highly accessible Mary Bailey, a woman who knows her husband well and gives him the room he needs to be himself—even at potential great cost to their family. And the most expressive eyes you’ll see.
Manny Buckley plays both the chief angel Joseph and Uncle Billy with authority and grace. He sits on one side of the stage while actor/musician extraordinaire Michael Mahler mans the keyboard on the other side—along with several musical instruments and an endless versatility in his charming guise of station announcer. Dara Cameron is a fun Violet, always being as fetching as possible to George and every other guy she meets.
The grand surprise for this writer is again Joe Dempsey, who portrays both Clarence, the angel second-class trying to earn his wings, and Mr. Potter, the “Scrooge” of the story who owns everything in town but the Bailey Building and Loan. Two more opposite characters you will not find. So, there’s a great deal to admire in actors like Mr. Dempsey; he cuts the cloth of each character in a vivid, striking manner. Ian Paul Custer is a wonder as Ernie the cab driver, Harry Bailey the war hero brother, and a menage of three or four others, usually with a different accent.
Director Whiteside keeps the brisk pacing consistently through the evening, with nice touches like a WABT “On-Air/Applause” sign that the audience dutifully obeys. There is an engaging pre-show with carols and humor, and then there are the little notes of appreciation the audience is asked to compose. The cast reads them out loud at designated points in the proceedings, so friends can know of those who appreciate them. American Blues Theater has honed and crafted its own tradition through this gratifying piece of American literature. It knows when to stop at the point of being too corny, and it delights us in its regaling of a soft, heartfelt holiday whisper we all continue to love.
GUEST CONTRIBUTOR | RONALD KEATON received an Equity Jeff Award for the performance of his one-man show CHURCHILL. www.solochicagotheatre.com Coming soon, his new solo play “Echo Holler.” www.echoholler.com
PHOTO|Michael Brosilow
American Blues Theater
presents
It’s a Wonderful Life: Live in Chicago!
through December 22, 2024
5627 N. Lincoln
(773) 654-3103
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