That memory loomed large until Saturday evening at Paramount Theatre, when an exuberant opening-night audience, eager to see just how a time capsule of musical comedy would play in its natural, large-scale habitat, was treated to a gorgeous, non-stop comic gem. The Jim Corti-directed blockbuster stars the enormously talented duo of Blake Hammond and Jake Morrissy as Max Bialystock and Leo Bloom, who cook up a scheme to bilk wealthy widowers of their money so they can retire to Rio after their surefire flop crashes and burns. With all that is happening–and there is something special at every turn in the fast-paced, musical-comedy romp–Hammond and Morrissy own this show. Hammond’s opening exultation number, “The King of Broadway,” elevates the entire company, and his fervent solo turn, “Betrayed,” is a capstone moment of the night. Morrissy is a triple-threat talent whose comic range fits perfectly in the role of the meek accountant who finds confidence along the way, especially with Elyse Collier’s Ulla, whose amazing musical assets are in a full bloom all their own—especially in her big and boisterous number, “When You Got It, Flaunt It.”
As for the story, in an odd twist of fate, or rather, turn of a phrase, success is sealed in the cleverly framed lyrics of “It’s Bad Luck to Say Good Luck on Op’ning Night,” as Max, hoping for the worst, shouts, “Good Luck! Good Luck! Good Luck!”–the musical equivalent of referring to the “Scottish play” by its real name. In the end, the message is to follow your dream. For some that’s being a Broadway producer and lunch at Sardi’s every day. For others, it’s wearing a brat and grill headdress or singing, “Haben Sie gehört das deutsche Band?”