PicksInSix Review: The Full Monty-Paramount Theatre

Paramount’s “Full Monty” Really Measures Up!
PicksInSix® Review | Ed Tracy

Do not fear. If you are looking for a big, bawdy, unabashed comic revival—with all the twists, turns and pelvic thrusts you can imagine—then Paramount Theatre’s “The Full Monty” is the show for you. Sure, it’s suggestive and saucy, but beyond the boisterousness, it’s a moving story about building self-esteem through dedication, hard work and the support of friends and family. Adapted for the stage by Terrence McNally with a lot of heart there are surprises galore to be found in the music and lyrics by David Yazbek. Add in a terrific cast and you’ve got a winner from top to bottom!

Based on the 1997 hit film about six out-of-work steel workers who decide to bare it all at a local nightclub to pay the bills, the ten-time Tony Award nominated 2000 Broadway musical was reset to middle class America in Buffalo, New York. Jerry Lukowski (Ben Mayne) is struggling to maintain a relationship with his son Nathan (a split role for Will Daly and Ellis Myers) and stuck trying to catch up with child support payments to his wife Pam (Rebecca Hurd) during their divorce. Jerry and his buddy Dave Bukatinsky (Jared David Michael Grant), who is under similar pressure from his wife Georgie (Veronica Garza) to take a security job to tide things over, decide to hatch a plan to make a bundle at a one-night-only strip show at Tony Girodano’s club.

The two first recruit the depressed and despondent Malcom MacGregor (Adam Fane) and then turn to Harold Nichols (Jackson Evans), a former plant supervisor-turned-dance-instructor to help them put the act together. The men then team up with Jeanette Burmeister (Liz Pazik), an adorably salty rehearsal pianist for auditions. Busting out of the pack at auditions Noah “Horse” T. Simmons (Bernard Dotson) and Ethan Girard (Diego Vazquez Gomez) round out the somewhat dubious, but committed, sextet who hilariously transform into “Hot Metal” before the night is done.

At every turn, Director Jim Corti with choreographer Tor Campbell meticulously move the men from initial awkwardness and insecurity forward. It all plays out against scenic designer Michelle Lilly’s brilliant skyline of Buffalo, framed by a massive, multi-story urban landscape that morphs effortlessly from night club to rehearsal hall where the men perfect their dance steps often in uncontrolled unison when least expected.

Music director/conductor Kory Danielson and the orchestra are in exceptionally fine form with Yazbek’s first Broadway score that features the men in “Scrap,” “Michael Jordan’s Ball” and “Big Black Man” (featuring Dotson in a commanding performance), the women in “It’s a Woman’s World,” and the company in the rousing “The Goods.”  Pazik is a blast in “Jeanette’s Showbiz Number” while Mayne and Grant team up well for “Man” and are joined by Fane in the somewhat dark themed, but clever, “Big-Ass Rock.”

Among the quieter moments, Ann Delany “Life with Harold” is a delight. Mayne is superb in “Breeze Off the River” while Evans and Grant shine in the anthem “You Rule My World.”  The inspirational musical highlight of the night belongs to Fane for his soaring vocal in the hymn-like “You Walk with Me” with Gomez that helps pave the way for the showstopping finale “Let it Go” which is full of bright lights and “Hot Metal” enough for everyone.  

PHOTO|Liz Lauren

PARAMOUNT THEATRE
presents
THE FULL MONTY
The Broadway Musical
through October 6, 2024

23 East Galena Boulevard
Aurora, IL 60506

(630) 896–6666

WEBSITE

TICKETS

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PicksInSix Review: Guys and Dolls - Drury Lane Theatre

Shake the Dice. Save a Soul!
PicksInSix® Review | Ed Tracy

Looking for the oldest established permanent floating crap game in New York with tough guys packing heat and cracking wise while a couple of old-time love stories unwind in locales as exotic as Havanna and the Hot Box Club? If so, then, the rock’em sock’em revival of the 1950 Tony Award winning “Guys and Dolls” now playing at Drury Lane Oakbrook is the show for you.  

Director/choreographer Dan Knechtges with co-music directors Roberta Duchak and Chris Sargent, who also conducts, have assembled an impressive ensemble of multi-talented performers for a highly-charged production showcasing the most cherished music and lyrics of Broadway’s legendary songsmith Frank Loesser and a book by Jo Swerling and Abe Burrows based on Daymon Runyon’s stories and characters. The cavalcade of Loesser hits like the touching ballads “I’ll Know” and “More I Cannot Wish You,” the superb bigtime, song and dance spectacles “A Bushel and a Peck,” “Luck be a Lady,” and “Sit Down You’re Rocking the Boat,” make Drury Lane’s “Guys and Dolls” a musical extravaganza that pokes good-natured fun of the rough and tough guys and the glitzy glamor dolls from Runyon’s creative imagination.

As the story unfolds, the lovable huckster Nathan Detroit (Jackson Evans) has been unofficially engaged for 14 years to the vivacious Miss Adelaide (Alanna Lovely), headliner at the Hot Box Club. Adelaide is trying to get him to stop gambling and settle down to the life she has imagined all along. Meanwhile, Detroit and his ‘associates” Nicely-Nicely (Nkrumah Gatling) and Benny (Christopher Llewyn Ramirez) are trying to get a spot for some nightly action and stay a step or two ahead of the law in the process.

Against the backdrop of petty larceny and bawdy late night revelry, the dutiful missionary Sarah Brown (Erica Stephan), struggling to make a difference one sinner at a time at the Save-A-Soul Mission, falls hard and fast for the suave, high-stakes charmer Sky Masterson (Pepe Nufrio). When the love table turns on Sky, he finds himself suddenly searching for any way to win her back again including making good on his mark to fill up the evening prayer meeting to impress the zany General Cartwright (Heidi Kettenring) and save the mission from closing.

Drury Lane Theatre presents “Guys and Dolls” through June 9, 2024. More information and tickets HERE.

Stephan and Nufrio are perfect together. Their rich vocals and chemistry shine in the heartfelt Act I closer “My Time of Day/I’ve Never Been in Love Before.” Stephan, one of Chicago’s top performers, is simply marvelous. Nufrio’s smooth and effortless Sky is spot on in “My Time of Day,” and with the brilliant ensemble in “Luck Be a Lady.” Lovely sparkles as Adelaide, displaying excellent comedic chops in “Adelaide’s Lament” and singing, dancing and leading the Hot Box Girls in a sizzling version of “Take Back Your Mink” while chumming up with Evans’s hilarious and heartwarming Nathan for lots of laughs and their touching duet “Sue Me.”

Back at the mission, Gene Weygandt’s serves up a splendid Arvide Abernathy, Kettenring is a riot and everybody gets in the act when Gatling explodes into the rousing crowd favorite “Sit Down You’re Rocking the Boat.” Angela Weber Miller’s scenic design, framed in a glistening Broadway skyline, alternates seamlessly between the relatively solemn confines of the mission to the gritty underbelly of the city and the sultry Hot Box Club where Leon Dobkowski’s stunning costumes set the place on fire. All in, Drury Lane’s “Guys and Dolls” is a night filled of 7’s and 11’s for every high stakes roller in the audience.  

PHOTO|Brett Beiner

Drury Lane Theatre
presents
Guys and Dolls
100 Drury Lane
Oakbrook Terrace
through June 9, 2024

WEBSITE

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PicksInSix Review: Anything Goes - Porchlight Music Theatre

Blow Gabriel! Murphy is Heaven Sent!
PicksInSix® Review | Ed Tracy

Porchlight Music Theatre celebrates the Chicago Cole Porter Festival and launches their 29th Season with a sparkling, effervescent 90th anniversary production of “Anything Goes” superbly directed by Michael Weber featuring Meghan Murphy in a big, boisterous star turn as the seaworthy siren Reno Sweeney. The book by Timothy Crouse and John Weidman, was adapted for the 1987 Broadway revival from the 1934 original by P.C. Woodhouse, Guy Bolton, Howard Lindsay and Russel Crouse. It tells the story of an oceanic crossing with a zany cast of characters with Murphy’s Sweeney at the delectable center of Porter’s most beloved music and lyrics.

Luke Nowakowski shines in the role of Billy Crocker who yearns for Hope Harcourt (played beautifully by Emma Ogea) even as he falls in with a gangster named Moonface Martin (an inspired performance by Steve McDonaugh) and his partner Erma (a scintillating Tafadzwa Diener) who all want to flip the tables on the wedding between Harcourt and Lord Evelyn Oakleigh (Jackson Evans). At the matinee on Saturday, Evans—in one of the most hilarious of his many stage appearances to date—and Murphy create an irresistible comic cosmos in “The Gypsy in Me” that literally brought tears to my eyes. In the end, of course, love conquers all and everything works out, except for a few clay pigeons off the starboard bow and anyone who actually sold their Amalgamated stock.

Under the lush musical direction of Nick Sula, Porter’s rich, melodic score comes vibrantly alive in “You’re The Top,” “Friendship” and “It’s De-lovely.” And when conductor Linda Madonia’s band kicks into high gear, it’s time to clear the decks for Tammy Mader’s rock-solid, toe-tapping choreography—and one of the finest singing and dancing ensembles seen on a Porchlight stage—to blast the big production numbers like “Anything Goes,” and “Blow, Gabriel Blow” straight to the heavens, with Murphy leading the way.

Jeffrey D. Kmiec’s magnificent two-story ship deck is dressed in navy blue and white with seaworthy stairs that frame a series of three revolving doors providing access to the main stage area. Kmiec’s masterfully sturdy design, complete with ship’s railing and arched pylons, reveals more than a few surprises along the way.

Under the steady hand of artistic director Michael Weber, Porchlight Music Theatre has built a superb reputation for developing exceptional new talent. In recent years, on the intimate Ruth Page Center for the Arts main stage, the company has forged full steam ahead through harsh winds and heavy seas to stay on course despite the challenges that the performing arts community has been navigating. Weber and Executive Director Jeannie Lukow’s bold, innovative, award-winning, musical productions include a long list of outstanding veteran performers like the late Hollis Resnick in a memorable production of “Sunset Boulevard,” E. Faye Butler’s showstopping performance as Mama Rose in “Gypsy” and Broadway veteran Felicia P. Fields in “Blues in the Night” who elevate the performances of everyone around them to new heights.

Add the exquisite Meghan Murphy to the company of Chicago’s all-time brightest stars. What a performance. What a show! 

PHOTO|Liz Lauren

PORCHLIGHT MUSIC THEATRE
presents
ANYTHING GOES
Ruth Page Center for the Arts
EXTENDED
through March 10, 2024

WEBSITE

TICKETS

DIGITAL PROGRAM

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PicksInSix Review: You’re A Good Man, Charlie Brown - Marriott Theatre

If only dogs could really talk…
PicksInSix® Review | Ed Tracy

Like most of us of a certain age, Charles Schulz Peanuts characters are part of the fabric of my life. It’s hard to believe the comic strip that originated over 75 years ago could still be so timelessly entertaining and relevant today. We may grow out of the regularity of the experience, but when our senses are wrapped around images, music and comedy that reflects a more innocent time in our lives, and the lives of our children, the magical, irresistible feeling consumes us. It’s inescapable.

All those emotional connections will wrap their loving arms around you with happiness for the roughly 65 minutes of the Marriott Theatre for Young Audiences heartwarming revival of “You’re A Good Man, Charlie Brown” now playing in Lincolnshire. Sharing the colorful stage space and benefiting enormously from the superb production values of the “Big Fish” run, the show expertly incorporates lights and staging all its own in Marriott’s in-the-round configuration to create the ultimate visual experience for every member of the audience. And that’s not a small feat when easily half of those patrons are of the pint-sized variety.

The musical “You’re A Good Man, Charlie Brown” with book, music and lyrics by Clark Gesner first appeared in the late 60s, was streamlined, updated and remounted with character revisions and additional music and lyrics by Andrew Lippa and dialogue by director Michael Mayer for a Tony-nominated Broadway revival in 1999. Trimmed a bit in the Marriott production to make for a one-act, high-energy romp that amplifies some of the more quiet, heartwarming moments of the show, it’s followed by a terrific post-show talkback that is guaranteed to bring out the kid in all of us. Altogether, it’s 90 minutes of pure family fun!

The uniformly superb ensemble, directed and choreographed with gusto by Linda Fortunato, is led by Patrick Michael Tierney as the valiant, lovable loser Charlie Brown who despite the pitfalls, always seems to find some good out of every situation. The same can be said for every other character from the bossy but endearing Lucy Van Pelt (Tafadzwa Diener) and her forever attraction Schroeder (Matthew Bettencourt) to Lucy’s little brother Linus (Jackson Evans) and Charlie Brown’s sister, Sally (Amanda Walker). Each approaches their worlds with childlike enthusiasm mixed with a healthy dash of lopsided—and hilarious—grown-up pessimism. It’s a wonderfully warm day in the life of a group of comic characters who sincerely like each other. In that choice, director Fortunato keenly targets every childhood observation about friendship, nature and the wonder of it all.

And if you have ever thought what the world would be like if only dogs could really talk, sing and dance, you need look no further than the fetching Andrés Enriquez whose Snoopy captures the essence of the world’s most famous beagle and personifies Schultz’s impish spirit. Enriquez makes “Suppertime” a truly joyous occasion and at one point, during the opening performance last Saturday morning, got a singular howl of a response from the audience that cracked everyone up.

In a nod to the comic strip, Patrick Ham’s stylized set pieces and props, with Evelyn Danner’s iconic costume design, Megan Pirtle’s wigs and the color and light of designer Lee Fickness, all evoke Schulz’s childlike fantasy cartoon world. Musical director and conductor Rick Bertone, in sync with Rick Sims sound, makes every number a winner and this show a nonstop comic treat that will keep even the youngest member of the family sitting on the edge of their seat. Happiness truly is playing now through April 1 at Marriott Theatre.  

PHOTO|LIZ LAUREN

MARRIOTT THEATRE LINCOLNSHIRE
presents
YOU’RE A GOOD MAN, CHARLIE BROWN
through April 1, 2023

WEBSITE | TICKETS

(847) 634-0200

HEALTH PROTOCALS

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PICKSINSIX Review: AVENUE Q

FAST-PACED, LAUGH-OUT-LOUD HIT!

Far-out puppets... AVENUE Q, that bawdy, irresistibly appealing three-time Tony Award-winning Broadway musical about an out of the way New York City neighborhood where far-out puppets and humans alike face life-changing situations, is right back where it belongs at the Mercury Theater. L. Walter Stearns directs a seasoned company of top returning and new talent in a fast-paced, laugh-out-loud hit!

Adult-themed musical... There are more than a few reasons that AVENUE Q had a six-year run on Broadway, can still be seen Off-Broadway and in major productions around the country, of which this is certainly one. The neighborhood is full of lovable and often extremely inappropriate puppets whose take on everything from racism, sex, gender issues, and internet porn have made this adult-themed musical sure-fire, head-bobbing fun.

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Power of giving... Whether you choose to watch the puppets or their handlers - and there is a lot of mischievous handling going on - there is so much to see, hear and enjoy. At the center of the story of Princeton’s quest to find his purpose in life is the touching love story that evolves with Kate Monster whose goal is to establish a school for monsters. Along the way, Princeton and Kate learn from their neighbors about life, love and the power of giving, proving that when you have a puppet in your hand, you can get away with a lot of things.

Delightfully endearing... This production is a bit of a renaissance - with a few carefully chosen script enhancements - of the one that flourished at the Mercury for seven months and 169 performances in 2014. Stearns and Musical Director Eugene Dizon have now assembled a top-flight ensemble around the delightfully endearing return performances of Jackson Evans (Princeton) and Leah Morrow (Kate Monster). Dan Smeriglio is hilarious in his return in the split roles of Nicky (with Jonah D. Winston, who is also a perfect Trekkie Monster) and Bad Idea Bear (with Stephanie Herman, who splits as the salacious Lucy and Mrs. T). Rounding out the superb multi-talented cast are David S. Robbins (Gary Coleman), Christian Siebert(Rod), Matthew Lies(Brian) and Audrey Billings (Christmas Eve).

Subtly nuanced additions... The all-star creative team includes Broadway veteran puppet designer Russ Walko whose work has come to life with the imagination of Rick Lyon, creator of the original Broadway puppets (and Broadway company cast member) who worked extensively with the Chicago cast during the rehearsal process. With Lyons’ subtly nuanced additions, choreography by Kevin Bellie, the picture-perfect set and state-of-the-art digital elements by set designer Alan Donohue, video design by Max Maxin IV, lighting by Dustin L. Derry, sound by Carl Wahlstrom and Rachel Boylan’s costumes, this high-octane AVENUE Q is running on all cylinders.

One naughty night out... Mercury Theater Chicago is again collecting for Season of Concern, an organization that has raised hundreds of thousands of dollars from generous artists and theater patrons to benefit people in the entertainment industry who are experiencing health-related emergencies and medical issues. There is an opportunity during the show when one could make a substantial contribution to support this worthy cause, so if you are planning only one naughty night out this summer, find your purpose on AVENUE Q.

PHOTOS|Brett A. Beiner

MERCURY THEATER CHICAGO
Presents
AVENUE Q
through September 9th
3745 N Southport Ave
Chicago, IL ‎60613
TICKETS: 773 325-1700

WEBSITE
Listen to our June 18th CONVERSATION with Leah Morrow and Jackson Evans
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