That imposing juxtaposition helps Brooks immediately establish full and complete authority. At one juncture, as she sizes up the second of her three students, the teacher chides the young woman on her appearance then instructs her to start all over from the beginning. The consequences of the inappropriate exchange pries into the defiant Callas, exposing what is her essential truth: “Ho dato tutto a te.” — I gave everything to you.
Nick Bowling, a TimeLine founder and Associate Artistic Director, directs his 30th production with musical direction by Doug Peck. Ingeniously interspersed throughout McNally’s work are recordings from Callas’ professional career while the fiery temperament and her unequalled understanding of the composer’s intent erupts forcefully from the text in Brooks artfully rich performance.
Uniformly the voices of the students are exceptional. Hodgens delivers a powerful Lady Macbeth. Lopez gives a fine tenor performance and Hernandez is delightful as the soprano. Boyer is a superb musician and fine vocalist. It is Brooks, however, who is captivating as she navigates the story of the legendary artist who painfully struggled with obesity, a volatile marriage to Giovanni Battista Meneghini and anguish of her long-time relationship with Aristotle Onassis.
Although Maria Callas’ final performance on stage (in Tosca) was in July 1965, the Julliard master classes launched a series of recitals from 1973 to 1974 throughout Europe, the U.S and Asia. Life in the world of opera is not so far removed from our own, however. Callas’ legacy is summed in her teaching of the art – be passionate, feel it in your gut, show up prepared, be willing to sacrifice and give everything to the work and, ultimately, to the audience. That includes knowing when to take a final bow, which Callas sadly did in 1977 at the age of 53.
PHOTOS|LARA GOETSCH
TIMELINE THEATRE COMPANY
Presents
MASTER CLASS
through December 9th
STAGE 773
1225 W. Belmont Avenue
(773)327.5252
TICKETS
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