PicksInSix Review: Native Gardens - Buffalo Theatre Ensemble

Neighbor’s Conflict Makes For Engaging Comedy
PicksInSix Review | Guest Contributor Kaitlyn Linsner

Karen Zacarías’ “Native Gardens,” a zippy comedy about a disagreement between new neighbors, is now playing in a Buffalo Theatre Ensemble production at the McAninch Arts Center through March 2. The audience sits just beyond two backyards - one tidy and well-manicured and the other unkempt—split by a flimsy chain link fence. Between the title and the visually stunning Mara Ishihara Zinky set, you may be wondering will the next 90 minutes be spent delving into these glaringly different attitudes toward yard work? Well, sort of.

Directed by Steve Scott, longtime producer at the Goodman Theatre, “Native Gardens” does in fact examine these two yards and how two families maintain them. It also explores the values and belief systems that influence even the most seemingly inconsequential decisions. Digging a bit deeper (but not too much deeper), the show examines how social constructs such as class, race and gender intersect to guide those values, and then what happens when faced with challenges to all of the above.

On one side of the fence stands Pablo (Richard Gomez) and Tonia (Sofia Tew), a younger, progressive, Latinx, married couple new to the neighborhood and eager to finesse the yard of their first home into a native garden that Tonia insists will benefit the environment. Pablo over-zealously invites his entire law firm over for a party that Tonia agrees to host outside only if they replace the unsightly chain link fence with a statelier wooden one.

That brings us to the other side of the fence where Virginia (Kelli Walker) and Frank (Bryan Burke) live. An older couple, the Butleys are white conservatives having lived in the neighborhood for many years. They take no issue with the proposed wood fence. Frank has meticulously tended his garden, and while he agrees that the wood fence is the better choice, he disagrees with Tonia over whether a native garden is really just a plot of weeds and insects. Frank offers to teach Tonia some things. Virginia tries to relate to Pablo about being disenfranchised in the workplace. They even bring Pablo and Tonia wine and chocolate to welcome them to the neighborhood.

How nice! What could possibly go wrong when both sides agree to a nicer looking fence and pretend to like each other? The answer is a lot when Tonia and Pablo discover that their yard extends further into the Butley’s garden. Soon the amiable discussions about flowers, insects and children shift to disagreements over land, intentions and entitlement. The phrase “you people” gets hurled about as the conflict escalates, and this is when “Native Gardens” really hits its stride. The most comedic, amusing and insightful moments shine through the friction especially when the cast volleys lines back and forth at the height of the land battle.

All this to say that while “Native Gardens” explores differences in a rather conventional manner (and has the unsurprising positive ending most folks would want if in the same situation) there is something to be said about all the good parts happening when conflict erupts. Conflict can be beneficial as it can lead to growth, stronger relationships and deeper understandings, and in the case of “Native Gardens,” it can also be quite entertaining.

GUEST CONTRIBUTROR | Kaitlyn Linsner serves as an Assistant Attorney General in the Public Utilities Bureau of the Office of the Illinois Attorney General.

PHOTO | Rex Howard Photography

Buffalo Theatre Ensemble
presents
Native Gardens

McAninch Arts Center
College of DuPage
425 Fawell Blvd.
through March 2

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PicksInSix Review: The Porch on Windy Hill - Northlight Theatre

Seared Memories Evaporate on Northlight’s “Porch”
PicksInSix® Review | Ed Tracy

Music is an extraordinary connector to the people in our lives and to our past. As we age, life-changing memories often linger dormant until they are awakened by a long-forgotten melody that will then burrow into our consciousness, leaving waves of mixed emotions—joy, melancholy and longing. Those feelings intensify in our youth as the music around us serves as the catalyst for the person we are destined to become. But, what happens if, along the way, those brilliantly seared memories evaporate in an instant? The answer to that question can be found in Northlight’s arresting production of “The Porch on Windy Hill,” now playing at Northlight Theatre.

The backstory of this show—billed as “a new play with old music”—is as fascinating as the play itself. Conceived and directed by Sherry Lutken, the writing credits include Lutken and the three accomplished actors and extremely gifted musicians Lisa Helm Johanson, Morgan Morse and David M. Lutken who bring to life the fictional story of a young couple on a musical quest that both satisfies and enlightens us about generational awareness, race discrimination and family dynamics all unfolding on the porch of a family homestead on Windy Hill.

The play, born during the pandemic—which, not surprisingly, has become a theatrical renaissance of sorts with new work that could have only emerged when creative artists were fighting to cope with the isolation of the time—is centered around the relationship of a grandfather and his granddaughter, fractured by decades of silence, fueled by pride, self-righteousness and lack of cultural awareness, who have now found reconciliation through the American folk music that has been the life blood for generations of the family.

The current generation is represented by Mira (Johanson) and her companion, Beckett (Morse), who wind up at the family home of Edgar (Lutken), a Vietnam-era veteran and folk singer for whom music is his salvation. After an incident, Edgar’s daughter abruptly moved to New York with Mira and her Korean husband when Mira was eight, so the visit now is a bit of an uneasy homecoming.  It is not immediately clear at first why Mira has returned, but Beckett, a graduate student, fits right in with Edgar’s folksy, welcoming style and it takes only a minute to realize that the music they will be making comes from another wonderful place altogether. While Beckett provides the documented history of the music, it has always been a part of Edgar’s life, passed down from his family to his daughter and granddaughter all those years ago.

The beauty in the music helps to melt away layers of Mira’s sadness and allows her the strength to both face the issues that have divided the family and to understand, if not accept, her grandfather’s point of view. It takes a few shots of moonshine, an array of instruments and some foot-stomping folk melodies, but Edgar begins to understand things more clearly, too.

The porch exterior set—chalk white siding and weather-worn lattice work—is the fine design work of Mara Ishihara Zinky, right down to the 1960s transistor radio and bird’s nest in the eve. With Lindsey Lyddan’s evocative lighting and all the calming sounds of nature in Rick Sims sound design, the atmosphere is perfect to sit a spell and enjoy the music. “The Porch on Windy Hill” plays through May 14.  

PHOTO|Michael Brosilow
VIDEO|Starbelly Studios

NORTHLIGHT THEATRE
presents
The Porch on Windy Hill
North Shore Center for the Performing Arts
9501 Skokie Blvd.

through May 14, 2023

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(847) 673-6300

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