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Filtering by Tag: Robert Zemeckis

PicksInSix Review: Back to the Future-The Musical-Broadway in Chicago

 
 

“It works. It Works. IT WORKS!”
PicksInSix® Review | Ed Tracy

It’s hard to avoid the what-if’s of time travel when it comes to the 1985 Robert Zemeckis film “Back to the Future” and its two sequels that have been entertaining audiences over the last 40 years. Jettisoning back along the space-time continuum to intentionally—or unintentionally—reorder events, change the future or restore balance to the universe has always been the stuff of classic science fiction storytelling.

The original “Back to the Future” was a real crowd-pleaser and a revelation for those of us around at the time. Sure, we had home movies, photo albums and family histories, but we could only imagine the past through the memories of those closest to us. Years from now, those memorable moments will be documented on a digital device in all formats, but obviously none of that existed when we were first introduced to a youthful rock n’ roller and his eccentric pal, the physicist who discovers a way to go back in time 1985 style. Taking the story from film to a live stage version creates some challenges and provides a splendid opportunity for eye-popping special effects.

At the opening of the national touring production of the John Rando directed “Back to the Future—The Musical” on Wednesday at the Cadillac Palace Theatre, I realized there was now a new generation introducing live theater to a much younger version as evidenced by a family of five sitting directly in front of me.  It was apparent to me that somewhere along the line I had taken for granted Doc Brown’s childlike wonder or the campy awkwardness of George McFly as he heroically confronts Biff in a parking lot, but not this crew.

For at least one of the three boys ranging in age from eight to mid-teen, this show was a first and they had a blast! Their joyous, wild enthusiasm for the extraordinary special effects and the techno star of the show—a slick, shiny DeLorean DMC-12 that makes a series of dramatic entrances and exits—was infectious. As avid young fans, their enjoyment was enhanced by the story as well because of its close proximity to the film and as a result, they followed along intently. And while we all know pretty much what was coming next, the Bob Gale book wisely stays within the margins and allows the stage version of “Back to the Future-The Musical” to evolve into a night of fun-filled family entertainment with more than enough whimsy and heart to wow the crowd.  

Or to borrow one of the Alan Silvestri/Glen Ballard lyrics sung by Doc Brown (a terrific role for Don Stephenson) when he first discovers proof of the viability of the flux capacitor: “It works. It Works! IT WORKS!” From Caden Brauch’s energetic portrayal of Marty McFly coaching the younger version of his dad George (a hilarious Burke Swanson) in “Put Your Mind To It” and the sultry Zan Berube’s rendition of “Pretty Baby” as the youthful Lorriane Baines in her bedroom with a trio of singers to Cartreze Tucker knocking the stuffing out of “Gotta Start Somewhere” as the young Goldie Wilson with the multi-talented ensemble and Stephenson’s blissful ballad “For the Dreamers,” this show has something for the young-at-heart of all ages.  But, oh that car is the real star!

When the original 2020 production was shut down in its first week due to the pandemic, you can bet that producers had no idea that four years later productions of “Back to the Future—The Musical” would be running concurrently in London, on Broadway and now in a 28 city national tour through August 2025. Safe to say that Marty, Doc and all the rest will be back in time well into the foreseeable future.       

PHOTO|Matthew Murphy & Evan Zimmerman

BROADWAY IN CHICAGO
presents
National Tour
BACK TO THE FUTURE—THE MUSICAL
Cadillac Palace Theatre
through September 1, 2024


TICKETS

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TOUR WEBSITE

BROADWAY IN CHICAGO

For more reviews, visit: Theatre In Chicago

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PicksInSix® is a registered trademark of Roxbury Road Creative, LLC

PicksInSix Review: Death Becomes Her - Broadway in Chicago

 
 

“Death Becomes Her” - Masterful Musical Macabomedy!
PicksInSix® Review | Ed Tracy

The world premiere of the rollicking new musical “Death Becomes Her” opened Sunday at the Cadillac Palace Theatre combining an all-star cast with eye-popping special effects for a high-flying, side-splitting show. The book by Marco Pennette, with an original score by Julia Mattison and Noel Carey, is remarkably true to the absurd 1992 film directed by Robert Zemeckis starring Meryl Streep, Goldie Hawn, Bruce Willis and Isabella Rossellini about the search for immortality.

The new show is a masterful musical macabomedy with an unmatched, award-winning creative team led by director/choreographer Christopher Gattelli with music supervision by Mary-Mitchell Campbell and an equally outstanding cast starring Megan Hilty, Jennifer Simard and Christopher Sieber as the love triangle in the sights of the mystical temptress Viola Van Horn played by Michelle Williams who promises physical perfection and “Siempre Viva” (forever life) for a not-so-small fee and some stringent strings attached.  

At the heart of the storyline is the embattled relationship between the aging actress Madeline Ashton (Hilty) and struggling author Helen Sharp (Simard) who have been competing for the other’s riches all their lives. Everything Helen has Madeline wants which includes her doctor fiancé Ernest (Sieber) who is an easy mark for the wily starlet. The two are married which spirals Helen into a nervous breakdown.

Seven years pass and while Madeline and Ernest are trapped in an unhappy, loveless marriage, Helen emerges as a youthful, successful author seeking revenge for all of the misery Madeline has wrought. As she begins to plot with Ernest to put her out of the way so the two can live happily ever after, Madeline returns from her own meeting with Viola and the two face off, well, to the death. And that’s just the beginning of Ernest’s problems to keep the two looking fresh and fit in their forever lives.

At its best, the Mattison/Carey score—with magnificent orchestrations by Doug Besterman and dance and incidental music arrangements by Sam Davis all under the music direction of Ben Cohn—is terrific as evidenced by the electrifying crowd-pleaser “For The Gaze,” showcasing Hilty and the ensemble in the show within the show. Individually, Simard’s vocal and versatile comic abilities are on full display from the tortured, outcast in “Madeline” and “Falling Apart” to vengeful ex-lover who stands up for what she believes is rightfully hers. Williams’s stoic Viola, and the cast of immortals who surround her, delivers the soaring anthems “If You Want Perfection” and “I Warned You” in high style.  Sieber shines throughout as someone we can root for in “Till Death” and “The Plan” but it is the musical duel of Hilty and Simard evidenced in “Confrontation,” “Hit Me” and “Alive Forever” that propel the show forward to life ever after.

Derek McLane robust scenic design with Justin Townsend’s dazzling lighting provides the perfect backdrop for an array of magnificent costumes by Paul Tazewell. Peter Hylenski’s sound and Rob Lake spellbinding illusions  make the Broadway-bound “Death Becomes Her” a visual feast for the senses. Previews begin in October with opening scheduled for November 21, 2024, at the Lunt-Fontanne Theatre, but you can see it now at the Cadillac through June 2.

PHOTO|Matthew Murphy & Evan Zimmerman, 2024

BROADWAY IN CHICAGO
presents
World Premiere
DEATH BECOMES HER
Cadillac Palace Theatre
through June 2, 2024


TICKETS

SHOW WEBSITE

BROADWAY IN CHICAGO

For more reviews, visit: Theatre In Chicago

ARCHIVE

PicksInSix® is a registered trademark of Roxbury Road Creative, LLC

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